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A Technique of Advanced Latin-American Figures
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A Technique of Advanced Latin-American Figures
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¡á DISC ONE

¡Ü Introductory Chapters
A. Teaching Tip for Development of Posture ƼĪ ÆÁ Æ÷ µðº§·Ó¸ÕÆ® ¿Àºê Æ÷½ºÃç
B. Development of Co-ordination with Free Arm Rhythm µðº§·Ó¸ÕÆ® ¿Àºê ÄÚ-¿Àµð³×ÀÌ¼Ç À§µå ÇÁ¸® ¾Ï ¸®µë
C. Advanced Free Arm Movement ¾îµå¹ê½ºµå ÇÁ¸® ¾Ï ¹«ºê¸ÕÆ®
D. Other Hand Position ¾Æ´õ ÇÚµå Æ÷Áö¼Ç
E. Only One Leg ¿Â¸® ¿ø ·¹±×


[ RUMBA ] - Index of Structure & Character and All Figures

¡Ú Rumba Structure & Character
A. The Forward Walk Æ÷¿öµå ¿÷
B. Checked Forward Walk üũ Æ÷¿öµå ¿÷
C. Forward Walk Turning Æ÷¿öµå ¿÷ ÅÍ´×
D. Delayed(Compressed) Forward Walk µô·¹ÀÌ(ÄÄÇÁ·¹½ºµå) Æ÷¿öµå ¿÷
E. Delayed(Extended) Forward Walk µô·¹ÀÌ(ÀͽºÅÙµðµå) Æ÷¿öµå ¿÷
F. Swivel Walk ½ºÀ§ºí ¿÷
G. Backward Walk ¹é¿öµå ¿÷
H. Delayed(Compressed) Backward Walk µô·¹ÀÌ(ÄÄÇÁ·¹½ºµå) ¹é¿öµå ¿÷
I. Delayed(Extended) Backward Walk µô·¹ÀÌ(ÀͽºÅÙµðµå) ¹é¿öµå ¿÷

¡Ú The Essential Basic Figures in detail
A. Cucarachas ÄíÄ«¶óÂ÷
B. Cuban Rocks Å¥¹Ý ¶ô
C. Syncopated Cuban Rocks ½ÌÄÚÆäÀÌÆ® Å¥¹Ý ¶ô
D. Hip Twist Actions Èü Æ®À§½ºÆ® ¾×¼Ç
E. Spiral Cross ½ºÆÄÀÌ·² Å©·Î½º
F. Sit Line (Closed) ½Ë ¶óÀÎ (Ŭ·ÎÁîµå)
G. Sit Line (Open) ½Ë ¶óÀÎ (¿ÀÇÂ)
H. Side Steps »çÀÌµå ½ºÅÜ
I. Closing Steps Ŭ·Î¡ ½ºÅÜ
J. Closing Step in Fan Position as Lady Ŭ·Î¡ ½ºÅÜ ÀÎ ÆÒ Æ÷Áö¼Ç ¾ÖÁî ·¹À̵ð
K. Latin Cross ¶óƾ Å©·Î½º

¡Ú Rumba Advanced Figures
1. Backward Swivel Basic to end in Fan Position ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ Åõ ¿£µå ÀÎ ÆÒ Æ÷Áö¼Ç
2. Syncopated Backward Swivel Basic with Delayed Walk to Contact Position ½ÌÄÚÆäÀÌÆ® ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ À§µå µô·¹ÀÌµå ¿÷ Åõ ÄÁÅÃÆ® Æ÷Áö¼Ç
3. Overturned Slow Curl from Fan Position to Runaway and Check to Lady's Sit Line ¿À¹öÅÏ ½½·Î¿ì Äà ÇÁ·³ ÆÒ Æ÷Áö¼Ç Åõ ·±¾î¿þÀÌ ¾Ø üũ Åõ ·¹À̵ð ½Ë ¶óÀÎ
4. Checked Turns to Pivot and Spin Action to Open Position üũ ÅÏ Åõ ÇǺ¿ ¾Ø ½ºÇÉ ¾×¼Ç Åõ ¿ÀÇ Æ÷Áö¼Ç
5. Lady's High Ronde to Right from a Syncopated Alemana to Lady's Circular Walks ·¹À̵ð ÇÏÀÌ ·Ðµ¥ Åõ ¶óÀÌÆ® ÇÁ·³ ¾î ½ÌÄÚÆäÀÌÆ® ¾Ë·¹¸¶³ª Åõ ·¹À̵ð ½áŧ¶ó ¿÷
6. Checked Alemana to Lady's Syncopated Three Step Turn üũ ¾Ë·¹¸¶³ª Åõ ·¹À̵ð ½ÌÄÚÆäÀÌÆ® ¾²¸® ½ºÅÜ ÅÏ
7. Check from Open CPP with Man's Lunge üũ ÇÁ·³ ¿ÀÇ CPP À§µå ¸Ç ·±Áö
8. Syncopated Check from Open CPP with Man's Lunge and Lady's Syncopated Three Step Turn ½ÌÄÚÆäÀÌÆ® üũ ÇÁ·³ ¿ÀÇ CPP À§µå ¸Ç ·±Áö ¾Ø ·¹À̵ð ½ÌÄÚÆäÀÌÆ® ¾²¸® ½ºÅÜ ÅÏ
9. Telespin to Lady's Spiral Turn to Fan Position ÅÚ·¹½ºÇÉ Åõ ·¹À̵𠽺ÆÄÀÌ·² ÅÏ Åõ ÆÒ Æ÷Áö¼Ç
10. Developed Open Hip Twist to Tandem Position µðº§·Ó ¿À Ç Èü Æ®À§½ºÆ® Åõ ÅÄ´ý Æ÷Áö¼Ç
11. Continuous Standing Hip Twists to Lady's Attitude and Developpe ÄÁƼ´º¾î½º ½ºÅĵù Èü Æ®À§½ºÆ® Åõ ·¹À̵ð ¾ÖƼƩµå µ¥ºí¶óÆä
12. Continuous Swivels and Three Step Turn to Support Line to Contact Position ÄÁƼ´º¾î½º ½ºÀ§ºí ¾Ø ¾²¸® ½ºÅÜ ÅÏ Åõ ¼­Æ÷Æ® ¶óÀÎ Åõ ÄÁÅÃÆ® Æ÷Áö¼Ç
13. Lady's Continuous Spin to Left to Same Foot Spot Turn to Tandem Sit Line ·¹À̵ð ÄÁƼ´º¾î½º ½ºÇÉ Åõ ·¹ÇÁÆ® Åõ ¼¼ÀÓ Ç² ½ºÆÌ ÅÏ Åõ ÅÄ´ý ½Ë ¶óÀÎ
14. Sliding Doors Development ½½¶óÀ̵ù µµ¾î µðº§·Ó¸ÕÆ®
15. Three-Three's Development to Swivels and Quick Turn to Fan Position ¾²¸®-¾²¸® µðº§·Ó¸ÕÆ® Åõ ½ºÀ§ºí ¾Ø Äü ÅÏ Åõ ÆÒ Æ÷Áö¼Ç
16. Continuous Alemana Turns ÄÁƼ´º¾î½º ¾Ë·¹¸¶³ª ÅÏ
17. Circular Hip Twist, Turning to Right to Fan Position ½áŧ¶ó Èü Æ®À§½ºÆ®, ÅÍ´× Åõ ¶óÀÌÆ® Åõ ÆÒ Æ÷Áö¼Ç
18. Natural Top to Syncopated Under Arm Turn to Quick Opening Out to Right to Open Position ³»Ãò·² Åé Åõ ½ÌÄÚÆäÀÌÆ® ¾ð´õ ¾Ï ÅÏ Åõ Äü ¿ÀÇÁ´× ¾Æ¿ô Åõ ¶óÀÌÆ® Åõ ¿ÀÇ Æ÷Áö¼Ç
19. Standing Spin to Developed Opening Out to Right and Left ½ºÅĵù ½ºÇÉ Åõ µðº§·Ó ¿ÀÇÁ´× ¾Æ¿ô Åõ ¶óÀÌÆ® ¾Ø ·¹ÇÁÆ®
20. Developed Curl and Three Alemanas Action to Check and Lady's Continuous Spin µðº§·Ó Äà ¾Ø ¾²¸® ¾Ë·¹¸¶³ª ¾×¼Ç Åõ üũ ¾Ø ·¹À̵ð ÄÁƼ´º¾î½º ½ºÇÉ


[ SAMBA ] - Index of Structure & Character and All Figures

¡Ú Samba Structure & Character
A. The Whisk, describing the Bounce Action ÈÖ½ºÅ©, ¹Ù¿î½º ¾×¼Ç
B. Botafogos º¸Å¸Æ÷°í
C. Voltas º¼Å¸
D. Cruzados Walks and Lock Å©·çÀÚµµ ¿÷ ¾Ø ¶ô
E. Developed Promenade to Counter Promenade Run µðº§·Ó ÇÁ·Ò³ªµå Åõ Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±
F. Natural and Reverse Rolls ³»Ãò·² ¾Ø ¸®¹ö½º ·Ñ

¡Ú Samba Advanced Figures
1. Batucada ¹ÙÃòÄ«´Ù
2. Botafogo Action with Batucada Rhythm º¸Å¸Æ÷°í ¾×¼Ç À§µå ¹ÙÃòÄ«´Ù ¸®µë
3. Advanced Promenade to Counter Promenade Run ¾îµå¹ê½º ÇÁ·Ò³ªµå Åõ Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±
4. Travelling Volta with Split Rhythm Action Æ®·¡ºí¸µ º¼Å¸ À§µå ½ºÇø´ ¸®µë ¾×¼Ç
5. Fallaway Run Æú¾î¿þÀÌ ·±
6. Carioca Runs (Lambada Action) ij¸®¿ÀÄ« ·± (¶÷¹Ù´Ù ¾×¼Ç)
7. Shadow Rocks ½¦µµ¿ì ¶ô
8. Delayed Reverse Shadow Volta Roll µô·¹ÀÌ ¸®¹ö½º ½¦µµ¿ì º¼Å¸ ·Ñ
9. Running Zigzag from Solo Right Side Position ·¯´× Áö±×Àç±× ÇÁ·³ ¼Ö·Î ¶óÀÌÆ® »çÀ̵å Æ÷Áö¼Ç
10. Advanced Maxixe ¾îµå¹ê½º ¸Æ½Ã½º
11. Advanced Corta Jaca Action ¾îµå¹ê½º ÄÚ¸£Å¸ ÀÚÄ« ¾×¼Ç
12. Developed Whisks to Natural Pivots µðº§·Ó ÈÖ½ºÅ© Åõ ³»Ãò·² ÇǺ¿
13. Lady's Running Zigzag in Open Position ·¹À̵𠷯´× Áö±×Àç±× ÀÎ ¿ÀÇ Æ÷Áö¼Ç
14. Continuous Quick Zigzags ÄÁƼ´º¾î½º Äü Áö±×Àç±×
15. Continuous Volta Shadow Roll ÄÁƼ´º¾î½º º¼Å¸ ½¦µµ¿ì ·Ñ
16. Checked Reverse Roll to Ronde and Split Rhythm üũ ¸®¹ö½º ·Ñ Åõ ·Ðµ¥ ¾Ø ½ºÇø´ ¸®µë
17. Passing Turns ÆÐ½Ì ÅÏ
18. High Back Check ÇÏÀÌ ¹é üũ
19. 'Box' Movements from Open CPP ¡®¹Ú½º¡¯ ¹«ºê¸ÕÆ® ÇÁ·³ ¿ÀÇ CPP
20. Lunge Checks in Tandem Position ·±Áö üũ ÀÎ ÅÄ´ý Æ÷Áö¼Ç

[ Cha Cha Cha ]

- Index of Structure & Character and All Figures

¡Ú Cha Cha Cha Structure & Character
A. Basic Chasses to Side º£ÀÌÁ÷ »þ¼¼ Åõ »çÀ̵å
B. Ronde Chasse ·Ðµ¥ »þ¼¼
C. Hip Twist Chasse Èü Æ®À§½ºÆ® »þ¼¼
D. Crossover Chasse Å©·Î½º¿À¹ö »þ¼¼
E. Forward Lock Æ÷¿öµå ·Ï
F. Continuous Forward Lock ÄÁƼ´º¾î½º Æ÷¿öµå ·Ï
G. Backward Lock ¹é¿öµå ·Ï
H. Continuous Backward Lock ÄÁƼ´º¾î½º ¹é¿öµå ·Ï



¡áDISC TWO


¡Ú Cha Cha Cha Advanced Figures
1. Backward Swivel Basic to end in Fan Position ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ Åõ ¿£µå ÀÎ ÆÒ Æ÷Áö¼Ç
2. Backward Swivle Basic with Hip Twist Actions to Tandem Sit Line ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ À§µå Èü Æ®À§½ºÆ® ¾×¼Ç Åõ ÅÄ´ý ½Ë ¶óÀÎ
3. Runaway Zigzag to Fan Position ·±¾î¿þÀÌ Áö±×Àç±× Åõ ÆÒ Æ÷Áö¼Ç
4. 'Box' Zigzags ¡®¹Ú½º¡¯ Áö±×Àç±×
5. Running Lock with Lady's Running Zigzag to Check Lady's Three Step Turn ·¯´× ·Ï À§µå ·¹À̵𠷯´× Áö±×Àç±× Åõ üũ ·¹À̵𠾲¸® ½ºÅÜ ÅÏ
6. Checked Alemana to Tandem Sit Line üũ ¾Ë·¹¸¶³ª Åõ ÅÄ´ý ½Ë ¶óÀÎ
7. Check from Open CPP (New York) with Change of Shape (1) üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå üÀÎÁö ¿Àºê ½¦ÀÌÇÁ (1)
8. Check from Open CPP (New York) with Change of Shape (2) üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå üÀÎÁö ¿Àºê ½¦ÀÌÇÁ (2)
9. Hip Throw Turns Èü ¾²·Î¿ì ÅÏ
10. 'Doubled' Cuban Break Action in Open CPP (1) ¡®´õºí¡¯ Å¥¹Ý ºê·¹ÀÌÅ© ¾×¼Ç ÀÎ ¿ÀÇ CPP (1)
11. 'Doubled' Cuban Break Action in Open CPP (2) ¡®´õºí¡¯ Å¥¹Ý ºê·¹ÀÌÅ© ¾×¼Ç ÀÎ ¿ÀÇ CPP (2)
12. Linear Turns to Quick Open Hip Twist ¸®´Ï¾î ÅÏ Åõ Äü ¿ÀÇ Èü Æ®À§½ºÆ®
13. Telespin to Lady's Spiral Turn to Left to Fan Position ÅÚ·¹½ºÇÉ Åõ ·¹À̵𠽺ÆÄÀÌ·² ÅÏ Åõ ·¹ÇÁÆ® Åõ ÆÒ Æ÷Áö¼Ç
14. Syncopated Telespin to Lady's Hesitation - Foot Tap to Fan Position ½ÌÄÚÆäÀÌÆ® ÅÚ·¹½ºÇÉ Åõ ·¹À̵ð ÇìÁöÅ×ÀÌ¼Ç - Dz ÅÇ Åõ ÆÒ Æ÷Áö¼Ç
15.Check from Open CPP(New York) with Man's Lunge Line and Lady's Three Step Turn üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå ¸Ç ·±Áö ¶óÀÎ ¾Ø ·¹À̵𠾲¸® ½ºÅÜ ÅÏ
16. Check in Open CPP - Three Step Turn - Mark Time - Check from Open CPP üũ ÀÎ ¿ÀÇ CPP - ¾²¸® ½ºÅÜ ÅÏ - ¸¶Å© ŸÀÓ - üũ ÇÁ·³ ¿ÀÇ CPP
17. Cuban Break in Solo RSP - Three Step Turn - Hesitation Ball Change to Tandem & Open Position Å¥¹Ý ºê·¹ÀÌÅ© ÀÎ ¼Ö·Î RSP - ¾²¸® ½ºÅÜ ÅÏ - ÇìÁöÅ×ÀÌ¼Ç º¼ üÀÎÁö Åõ ÅÄ´ý & ¿ÀÇ Æ÷Áö¼Ç
18. Lady's Three Step Turn from Fan Position to Foot Taps - Ripple - Three Step Turn ·¹À̵𠾲¸® ½ºÅÜ ÅÏ ÇÁ·³ ÆÒ Æ÷Áö¼Ç Åõ Dz ÅÇ - ¸®Çà - ¾²¸® ½ºÅÜ ÅÏ
19. Solo RSP - Ronde Action - Three Step Turn - Progressive Step Taps - Flick to Open Position ¼Ö·Î RSP - ·Ðµ¥ ¾×¼Ç - ¾²¸® ½ºÅÜ ÅÏ - ÇÁ·Î±×·¹½Ãºê ½ºÅÜ ÅÇ - Çø¯ Åõ ¿ÀÇ Æ÷Áö¼Ç
20. Foot Change to RSP - Passing Zigzags to RSP Dz üÀÎÁö Åõ RSP - ÆÐ½Ì Áö±×Àç±× Åõ RSP


[ PASO DOBLE ]

- Index of Structure & Character and All Figures

¡Ú Paso Doble Structure & Character
A. Posture for Man then Lady Æ÷½ºÃç Æ÷ ¸Ç / ·¹À̵ð
B. Forward Walks Æ÷¿öµå ¿÷
C. Circular Forward Walks ½áŧ¶ó Æ÷¿öµå ¿÷
D. Backward Walks ¹é¿öµå ¿÷
E. Appel to Promenade Position ¾ÆÆç Åõ ÇÁ·Ò³ªµå Æ÷Áö¼Ç
F. Slip Appel ½½¸³ ¾ÆÆç
G. Double Appel ´õºí ¾ÆÆç
H. Syncopated Appel ½ÌÄÚÆäÀÌÆ® ¾ÆÆç
I. Drop Appel µå·Ó ¾ÆÆç
J. Sur Place. Basic Movement. Chasses. ½á Ç÷¹À̽º. º£ÀÌÁ÷ ¹«ºê¸ÕÆ®. »þ¼¼
K. Huit(Botafogo) Movement ÈÞÀÕ(º¸Å¸Æ÷°í) ¹«ºê¸ÕÆ®
L. Spanish Line Developed to Advance Shaping ½ºÆдϽ¬ ¶óÀÎ µðº§·Ó Åõ ¾îµå¹ê½º ½¦ÀÌÇÎ
M. Forward Lunge Æ÷¿öµå ·±Áö
N. Caping Chasse ÄÉÀÌÇÎ »þ¼¼
O. Caping Lock ÄÉÀÌÇÎ ·Ï

¡Ú Paso Doble Advanced Figures
1. Slip Appel - Reverse Swivel - Basic Movement - Check - Chasse Cape Action ½½¸³ ¾ÆÆç - ¸®¹ö½º ½ºÀ§ºí - º£ÀÌÁ÷ ¹«ºê¸ÕÆ® - üũ - »þ¼¼ ÄÉÀÌÇÁ ¾×¼Ç
2. Huit(Botafogo) Actions - Contra Walks & Volta Action - Double Appel - Zigzag - Forward Lunge ÈÞÀÌÆ®(º¸Å¸Æ÷°í) ¾×¼Ç - ÄÜÆ®¶ó ¿÷ & º¼Å¸ ¾×¼Ç - ´õºí ¾ÆÆç - Áö±×Àç±× - Æ÷¿öµå ·±Áö
3. Syncopated Points - Zigzag - Continuous Stalking Zigzags - Check ½ÌÄÚÆäÀÌÆ® Æ÷ÀÎÆ® - Áö±×Àç±× - ÄÁƼ´º¾î½º ½ºÅäÅ· Áö±×Àç±× - üũ
4. Syncopated Appel to Challenge Shape - Natural Spins ½ÌÄÚÆäÀÌÆ® ¾ÆÆç Åõ 縰Áö ½¦ÀÌÇÁ - ³»Ãò·² ½ºÇÉ
5. Appel to Solo Circular Walks - Syncopated Appel - Twists Action ¾ÆÆç Åõ ¼Ö·Î ½áŧ¶ó ¿÷ - ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - Æ®À§½ºÆ® ¾×¼Ç
6. Continuous Locks - Check - Contra Low Spanish Line ÄÁƼ´º¾î½º ·Ï - üũ - ÄÜÆ®¶ó ·Î¿ì ½ºÆдϽ¬ ¶óÀÎ
7. Open Telemark - Promenade and Counter Promenade Runs ¿ÀÇ ÅÚ·¹¸¶Å© - ÇÁ·Ò³ªµå ¾Ø Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±
8. Quick Chasses - Pivot - Checked Reverse - Natural Spin Äü »þ¼¼ - ÇǺ¿ - üũ ¸®¹ö½º - ³»Ãò·² ½ºÇÉ
9. Natural Spin - Lady's Ronde to Pass behind Back - Chasse to Right ³»Ãò·² ½ºÇÉ - ·¹À̵ð ·Ðµ¥ Åõ Æнº ºñÇÏÀÎµå ¹é - »þ¼¼ Åõ ¶óÀÌÆ®
10. Syncopated Appel - Developpe - Outside Spin ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - µ¥ºí ¶óÆä - ¾Æ¿ô»çÀÌµå ½ºÇÉ
11. Chasse Cape Action in Solo LSP - Spanish Twist - Check to Banderillas Shape »þ¼¼ ÄÉÀÌÇÁ ¾×¼Ç ÀÎ ¼Ö·Î LSP - ½ºÆдϽ¬ Æ®À§½ºÆ® - üũ Åõ ¹ê´õ¸®¾Æ ½¦ÀÌÇÁ
12. Stalking Walks in Open PP - Twists Action to Low Spanish Lines - Circular Walks - Huit (Botafogos) Action ½ºÅäÅ· ¿÷ ÀÎ ¿ÀÇ ÇÁ·Ò³ªµå Æ÷Áö¼Ç - Æ®À§½ºÆ® ¾×¼Ç Åõ ·Î¿ì ½ºÆдϽ¬ ¶óÀÎ - ½áŧ¶ó ¿÷ - ÈÞÀÕ(º¸Å¸Æ÷°í) ¾×¼Ç
13. Grand Circle Action - Zigzag to Swivel - Run in PP - Check in PP - Fallaway to Slip Pivot ±×·£µå ½áŬ ¾×¼Ç - Áö±×Àç±× Åõ ½ºÀ§ºí - ·± ÀÎ PP - üũ ÀÎ PP - Æú¾î¿þÀÌ Åõ ½½¸³ ÇǺ¿
14. Appel to PP - Quick Lock in PP - Forward Lunge in PP to Contact Hold ¾ÆÆç ÀÎ PP - Äü ·Ï ÀÎ PP - Æ÷¿öµå ·±Áö ÀÎ PP Åõ ÄÁÅÃÆ® Ȧµå
15. Twists Action Opening to PP to end in Close RSP Æ®À§½ºÆ® ¾×¼Ç ¿ÀÇÁ´× Åõ PP Åõ ¿£µå ÀΠŬ·ÎÁî RSP
16. Tandem Spins - Fwd Locks & Spins - Huit(Botafogo) Actions - Volta Actions - Challenge Lines ÅÄ´ý ½ºÇÉ - Æ÷¿öµå ·Ï&½ºÇÉ - ÈÞÀÕ(º¸Å¸Æ÷°í) ¾×¼Ç - º¼Å¸ ¾×¼Ç - 縰Áö ¶óÀÎ
17. Continuous Spins in Slow and Quick Rhythm to Shadow Hold ÄÁƼ´º¾î½º ½ºÇÉ ÀÎ ½½·Î¿ì ¾Ø Äü ¸®µë Åõ ½¦µµ¿ì Ȧµå
18. Developed Flamenco Rhythm to Standing Spin µðº§·Ó Çöó¸æ°í ¸®µë Åõ ½ºÅĵù ½ºÇÉ
19. Syncopated Appel - Check to Telespin - Zigzag ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - üũ Åõ ÅÚ·¹½ºÇÉ - Áö±×Àç±×
20. Syncopated Appel to Outside Turn - Lady's Developpe - Promenade Walks - Spiral Cross to Open PP ½ÌÄÚÆäÀÌÆ® ¾ÆÆç Åõ ¾Æ¿ô»çÀ̵å ÅÏ - ·¹À̵𠵥ºí¶óÆä - ÇÁ·Ò³ªµå ¿÷ - ½ºÆÄÀÌ·² Å©·Î½º Åõ ¿ÀÇ PP


[ JIVE ] - Index of Structure & Character and All Figures

¡Ú Jive Structure & Character

A. Jive Chasses ÀÚÀÌºê »þ¼¼
B. 1-2 Link of Fallaway Lock 1-2 ¸µÅ© ¿Àºê Æú¾î¿þÀÌ ·Ï
C. Three Step Turns ¾²¸® ½ºÅÜ ÅÏ
D. Flick Ball Change Çø¯ º¼ üÀÎÁö
E. Kick Ball Change ű º¼ üÀÎÁö
F. Coaster Step ÄÚ½ºÅÍ ½ºÅÜ
G. Alternative Coaster Step ¾óÅͳÊƼºê ÄÚ½ºÅÍ ½ºÅÜ
H. Chicken Walks ġŲ ¿÷
I. Alternative Chicken Walks ¾óÅͳÊƼºê ġŲ ¿÷
J. Jitterbug Kicks ÁöÅ͹÷ ű
K. Shunt ¼ÇÆ®
L. Merengue Action ¸Þ·À°Ô ¾×¼Ç
M. Botafogos º¸Å¸Æ÷°í
N. Jive Runs ÀÚÀÌºê ·±
O. Jive Lock Steps ÀÚÀÌºê ·Ï ½ºÅÜ


¡Ú Jive Advanced Figures

1. Turning Double Ball Change Rhythms - Three Step Turn ÅÍ´× ´õºí º¼ üÀÎÁö ¸®µë - ¾²¸® ½ºÅÜ ÅÏ
2. Turning Double Ball Change Rhythms with Two Step Turns - Three Step Turn ÅÍ´× ´õºí º¼ üÀÎÁö ¸®µë À§µå Åõ ½ºÅÜ ÅÏ - ¾²¸® ½ºÅÜ ÅÏ
3. Solo Flicks and Zigzags with Hop Actions - Shunt - Foot Change ¼Ö·Î Çø¯ & Áö±×Àç±× À§µå È© ¾×¼Ç - ¼ÇÆ® - Dz üÀÎÁö
4. Hand to Hand Checked Turns ÇÚµå Åõ ÇÚµå üũ ÅÏ
5. Rotary Hand to Hand Checked Turns ·ÎŸ¸® ÇÚµå Åõ ÇÚµå üũ ÅÏ
6. Rotary American Spin ·ÎŸ¸® ¾Æ¸Þ¸®Ä­ ½ºÇÉ
7. Overturned Lunge Throwaway ¿À¹öÅÏ ·±Áö ¾²·Î¿ì¾î¿þÀÌ
8. Sugar Push Variation ½´°¡ Ǫ½¬ ¹Ù·¹À̼Ç
9. Travelling American Spin Action to Foot Change - Flicks in RSP - Botafogo to Foot Change Æ®·¡ºí¸µ ¾Æ¸Þ¸®Ä­ ½ºÇÉ ¾×¼Ç Åõ Dz üÀÎÁö - Çø¯ ÀÎ RSP - º¸Å¸Æ÷°í Åõ Dz üÀÎÁö
10. Travelling Flick Ball Changes in PP - Turning Chasses - Natural Spin - Throwaway Chasse Æ®·¡ºí¸µ Çø¯ º¼ üÀÎÁö ÀÎ PP - ÅÍ´× »þ¼¼ - ³»Ãò·² ½ºÇÉ - ¾²·Î¿ì¾î¿þÀÌ »þ¼¼
11. Flicks in Open Position with Double and Single Rhythm - Close, Tap, Kick - Botafogo Çø¯ ÀÎ ¿ÀÇ Æ÷Áö¼Ç À§µå ´õºí & ½Ì±Û ¸®µë - Ŭ·ÎÁî, ÅÇ, ű - º¸Å¸Æ÷°í
12. Chicken Walks with Man's Crossover Walks - Reverse Throwaway Action ġŲ ¿÷ À§µå ¸Ç Å©·Î½º¿À¹ö ¿÷ - ¸®¹ö½º ¾²·Î¿ì¾î¿þÀÌ ¾×¼Ç
13. Double Hold Arm Turns for Lady and Man - Catapult Ending ´õºí Ȧµå ¾Ï ÅÏ Æ÷ ·¹À̵ð & ¸Ç - īŸÆÞÆ® ¿£µù
14. Step, Taps - Leg Curl - Kick - Backward Botafogos - Foot Change to Open Position ½ºÅÜ, ÅÇ - ·¹±× Äà - ű - ¹é¿öµå º¸Å¸Æ÷°í - Dz üÀÎÁö Åõ ¿ÀÇ Æ÷Áö¼Ç
15. Tollgate Åç°ÔÀÌÆ®
16. Single Beat Shoulder Spin ½Ì±Û ºñÆ® ¼ñ´õ ½ºÇÉ
17. Chugging, Turning to Right ó±ë, ÅÍ´× Åõ ¶óÀÌÆ®
18. Type of Rolling off Arm - Lady's Turn to Left - Man's Foot Change to Solo LSP ŸÀÔ ¿Àºê ·Ñ¸µ ¿ÀÇÁ ¾Ï - ·¹À̵ð ÅÏ Åõ ·¹ÇÁÆ® - ¸Ç Dz üÀÎÁö Åõ ¼Ö·Î LSP
19. RSP Solo Chicken Walks - Tap Kicks - Botafogo - Spot Turn - Foot Change to Walks RSP ¼Ö·Î ġŲ ¿÷ - ÅÇ Å± - º¸Å¸Æ÷°í - ½ºÆÌ ÅÏ - Dz üÀÎÁö Åõ ¿÷
20. Miami Special Entry - Circular Flick Ball Changes - Lady's Three Step Turn to Right ¸¶ÀÌ¾Ö¹Ì ½ºÆä¼È ¿£Æ®¸® - ½áŧ¶ó Çø¯ º¼ üÀÎÁö - ·¹À̵𠾲¸® ½ºÅÜ ÅÏ Åõ ¶óÀÌÆ®





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