¢º ÇØ¼³ : Á¦ÇÁ¸® Çå & ÆäÆ® ¶ó ¸¶½¶¶ù È£¸¥ ¢º ½Ã¹ü : ¸¶ÀÌŬ ¸»¸®Åäºê½ºÅ° & Á¶¾È³ª ·ç´Ï½º ¢º Á¾¸ñ : ¶óƾ 5 Á¾¸ñ  ¢º ±¸¼º : ÇѱÛÀÚ¸· Disc 2°³= 1¼¼Æ®  ¡á DISC ONE  ¡Ü Introductory Chapters  A. Teaching Tip for Development of Posture ƼĪ ÆÁ Æ÷ µðº§·Ó¸ÕÆ® ¿Àºê Æ÷½ºÃç  B. Development of Co-ordination with Free Arm Rhythm µðº§·Ó¸ÕÆ® ¿Àºê ÄÚ-¿Àµð³×ÀÌ¼Ç À§µå ÇÁ¸® ¾Ï ¸®µë  C. Advanced Free Arm Movement ¾îµå¹ê½ºµå ÇÁ¸® ¾Ï ¹«ºê¸ÕÆ®  D. Other Hand Position ¾Æ´õ ÇÚµå Æ÷Áö¼Ç  E. Only One Leg ¿Â¸® ¿ø ·¹±×  [ RUMBA ] - Index of Structure & Character and All Figures  ¡Ú Rumba Structure & Character  A. The Forward Walk Æ÷¿öµå ¿÷  B. Checked Forward Walk üũ Æ÷¿öµå ¿÷  C. Forward Walk Turning Æ÷¿öµå ¿÷ ÅÍ´×  D. Delayed(Compressed) Forward Walk µô·¹ÀÌ(ÄÄÇÁ·¹½ºµå) Æ÷¿öµå ¿÷  E. Delayed(Extended) Forward Walk µô·¹ÀÌ(ÀͽºÅÙµðµå) Æ÷¿öµå ¿÷  F. Swivel Walk ½ºÀ§ºí ¿÷  G. Backward Walk ¹é¿öµå ¿÷  H. Delayed(Compressed) Backward Walk µô·¹ÀÌ(ÄÄÇÁ·¹½ºµå) ¹é¿öµå ¿÷  I. Delayed(Extended) Backward Walk µô·¹ÀÌ(ÀͽºÅÙµðµå) ¹é¿öµå ¿÷  ¡Ú The Essential Basic Figures in detail  A. Cucarachas ÄíÄ«¶óÂ÷  B. Cuban Rocks Å¥¹Ý ¶ô  C. Syncopated Cuban Rocks ½ÌÄÚÆäÀÌÆ® Å¥¹Ý ¶ô  D. Hip Twist Actions Èü Æ®À§½ºÆ® ¾×¼Ç  E. Spiral Cross ½ºÆÄÀÌ·² Å©·Î½º  F. Sit Line (Closed) ½Ë ¶óÀÎ (Ŭ·ÎÁîµå)  G. Sit Line (Open) ½Ë ¶óÀÎ (¿ÀÇÂ)  H. Side Steps »çÀÌµå ½ºÅÜ  I. Closing Steps Ŭ·Î¡ ½ºÅÜ  J. Closing Step in Fan Position as Lady Ŭ·Î¡ ½ºÅÜ ÀÎ ÆÒ Æ÷Áö¼Ç ¾ÖÁî ·¹À̵ð  K. Latin Cross ¶óƾ Å©·Î½º  ¡Ú Rumba Advanced Figures  1. Backward Swivel Basic to end in Fan Position ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ Åõ ¿£µå ÀÎ ÆÒ Æ÷Áö¼Ç  2. Syncopated Backward Swivel Basic with Delayed Walk to Contact Position ½ÌÄÚÆäÀÌÆ® ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ À§µå µô·¹ÀÌµå ¿÷ Åõ ÄÁÅÃÆ® Æ÷Áö¼Ç  3. Overturned Slow Curl from Fan Position to Runaway and Check to Lady's Sit Line ¿À¹öÅÏ ½½·Î¿ì Äà ÇÁ·³ ÆÒ Æ÷Áö¼Ç Åõ ·±¾î¿þÀÌ ¾Ø üũ Åõ ·¹À̵ð ½Ë ¶óÀÎ  4. Checked Turns to Pivot and Spin Action to Open Position üũ ÅÏ Åõ ÇǺ¿ ¾Ø ½ºÇÉ ¾×¼Ç Åõ ¿ÀÇ Æ÷Áö¼Ç  5. Lady's High Ronde to Right from a Syncopated Alemana to Lady's Circular Walks ·¹À̵ð ÇÏÀÌ ·Ðµ¥ Åõ ¶óÀÌÆ® ÇÁ·³ ¾î ½ÌÄÚÆäÀÌÆ® ¾Ë·¹¸¶³ª Åõ ·¹À̵ð ½áŧ¶ó ¿÷  6. Checked Alemana to Lady's Syncopated Three Step Turn üũ ¾Ë·¹¸¶³ª Åõ ·¹À̵ð ½ÌÄÚÆäÀÌÆ® ¾²¸® ½ºÅÜ ÅÏ  7. Check from Open CPP with Man's Lunge üũ ÇÁ·³ ¿ÀÇ CPP À§µå ¸Ç ·±Áö  8. Syncopated Check from Open CPP with Man's Lunge and Lady's Syncopated Three Step Turn ½ÌÄÚÆäÀÌÆ® üũ ÇÁ·³ ¿ÀÇ CPP À§µå ¸Ç ·±Áö ¾Ø ·¹À̵ð ½ÌÄÚÆäÀÌÆ® ¾²¸® ½ºÅÜ ÅÏ  9. Telespin to Lady's Spiral Turn to Fan Position ÅÚ·¹½ºÇÉ Åõ ·¹À̵𠽺ÆÄÀÌ·² ÅÏ Åõ ÆÒ Æ÷Áö¼Ç  10. Developed Open Hip Twist to Tandem Position µðº§·Ó ¿À Ç Èü Æ®À§½ºÆ® Åõ ÅÄ´ý Æ÷Áö¼Ç  11. Continuous Standing Hip Twists to Lady's Attitude and Developpe ÄÁƼ´º¾î½º ½ºÅĵù Èü Æ®À§½ºÆ® Åõ ·¹À̵ð ¾ÖƼƩµå µ¥ºí¶óÆä  12. Continuous Swivels and Three Step Turn to Support Line to Contact Position ÄÁƼ´º¾î½º ½ºÀ§ºí ¾Ø ¾²¸® ½ºÅÜ ÅÏ Åõ ¼Æ÷Æ® ¶óÀÎ Åõ ÄÁÅÃÆ® Æ÷Áö¼Ç  13. Lady's Continuous Spin to Left to Same Foot Spot Turn to Tandem Sit Line ·¹À̵ð ÄÁƼ´º¾î½º ½ºÇÉ Åõ ·¹ÇÁÆ® Åõ ¼¼ÀÓ Ç² ½ºÆÌ ÅÏ Åõ ÅÄ´ý ½Ë ¶óÀÎ  14. Sliding Doors Development ½½¶óÀ̵ù µµ¾î µðº§·Ó¸ÕÆ®  15. Three-Three's Development to Swivels and Quick Turn to Fan Position ¾²¸®-¾²¸® µðº§·Ó¸ÕÆ® Åõ ½ºÀ§ºí ¾Ø Äü ÅÏ Åõ ÆÒ Æ÷Áö¼Ç  16. Continuous Alemana Turns ÄÁƼ´º¾î½º ¾Ë·¹¸¶³ª ÅÏ  17. Circular Hip Twist, Turning to Right to Fan Position ½áŧ¶ó Èü Æ®À§½ºÆ®, ÅÍ´× Åõ ¶óÀÌÆ® Åõ ÆÒ Æ÷Áö¼Ç  18. Natural Top to Syncopated Under Arm Turn to Quick Opening Out to Right to Open Position ³»Ãò·² Åé Åõ ½ÌÄÚÆäÀÌÆ® ¾ð´õ ¾Ï ÅÏ Åõ Äü ¿ÀÇÁ´× ¾Æ¿ô Åõ ¶óÀÌÆ® Åõ ¿ÀÇ Æ÷Áö¼Ç  19. Standing Spin to Developed Opening Out to Right and Left ½ºÅĵù ½ºÇÉ Åõ µðº§·Ó ¿ÀÇÁ´× ¾Æ¿ô Åõ ¶óÀÌÆ® ¾Ø ·¹ÇÁÆ®  20. Developed Curl and Three Alemanas Action to Check and Lady's Continuous Spin µðº§·Ó Äà ¾Ø ¾²¸® ¾Ë·¹¸¶³ª ¾×¼Ç Åõ üũ ¾Ø ·¹À̵ð ÄÁƼ´º¾î½º ½ºÇÉ  [ SAMBA ] - Index of Structure & Character and All Figures  ¡Ú Samba Structure & Character  A. The Whisk, describing the Bounce Action ÈÖ½ºÅ©, ¹Ù¿î½º ¾×¼Ç  B. Botafogos º¸Å¸Æ÷°í  C. Voltas º¼Å¸  D. Cruzados Walks and Lock Å©·çÀÚµµ ¿÷ ¾Ø ¶ô  E. Developed Promenade to Counter Promenade Run µðº§·Ó ÇÁ·Ò³ªµå Åõ Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±  F. Natural and Reverse Rolls ³»Ãò·² ¾Ø ¸®¹ö½º ·Ñ  ¡Ú Samba Advanced Figures  1. Batucada ¹ÙÃòÄ«´Ù  2. Botafogo Action with Batucada Rhythm º¸Å¸Æ÷°í ¾×¼Ç À§µå ¹ÙÃòÄ«´Ù ¸®µë  3. Advanced Promenade to Counter Promenade Run ¾îµå¹ê½º ÇÁ·Ò³ªµå Åõ Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±  4. Travelling Volta with Split Rhythm Action Æ®·¡ºí¸µ º¼Å¸ À§µå ½ºÇø´ ¸®µë ¾×¼Ç  5. Fallaway Run Æú¾î¿þÀÌ ·±  6. Carioca Runs (Lambada Action) ij¸®¿ÀÄ« ·± (¶÷¹Ù´Ù ¾×¼Ç)  7. Shadow Rocks ½¦µµ¿ì ¶ô  8. Delayed Reverse Shadow Volta Roll µô·¹ÀÌ ¸®¹ö½º ½¦µµ¿ì º¼Å¸ ·Ñ  9. Running Zigzag from Solo Right Side Position ·¯´× Áö±×Àç±× ÇÁ·³ ¼Ö·Î ¶óÀÌÆ® »çÀÌµå Æ÷Áö¼Ç  10. Advanced Maxixe ¾îµå¹ê½º ¸Æ½Ã½º  11. Advanced Corta Jaca Action ¾îµå¹ê½º ÄÚ¸£Å¸ ÀÚÄ« ¾×¼Ç  12. Developed Whisks to Natural Pivots µðº§·Ó ÈÖ½ºÅ© Åõ ³»Ãò·² ÇǺ¿  13. Lady's Running Zigzag in Open Position ·¹À̵𠷯´× Áö±×Àç±× ÀÎ ¿ÀÇ Æ÷Áö¼Ç  14. Continuous Quick Zigzags ÄÁƼ´º¾î½º Äü Áö±×Àç±×  15. Continuous Volta Shadow Roll ÄÁƼ´º¾î½º º¼Å¸ ½¦µµ¿ì ·Ñ  16. Checked Reverse Roll to Ronde and Split Rhythm üũ ¸®¹ö½º ·Ñ Åõ ·Ðµ¥ ¾Ø ½ºÇø´ ¸®µë  17. Passing Turns ÆÐ½Ì ÅÏ  18. High Back Check ÇÏÀÌ ¹é üũ  19. 'Box' Movements from Open CPP ¡®¹Ú½º¡¯ ¹«ºê¸ÕÆ® ÇÁ·³ ¿ÀÇ CPP  20. Lunge Checks in Tandem Position ·±Áö üũ ÀÎ ÅÄ´ý Æ÷Áö¼Ç  [ Cha Cha Cha ]  - Index of Structure & Character and All Figures  ¡Ú Cha Cha Cha Structure & Character  A. Basic Chasses to Side º£ÀÌÁ÷ »þ¼¼ Åõ »çÀÌµå  B. Ronde Chasse ·Ðµ¥ »þ¼¼  C. Hip Twist Chasse Èü Æ®À§½ºÆ® »þ¼¼  D. Crossover Chasse Å©·Î½º¿À¹ö »þ¼¼  E. Forward Lock Æ÷¿öµå ·Ï  F. Continuous Forward Lock ÄÁƼ´º¾î½º Æ÷¿öµå ·Ï  G. Backward Lock ¹é¿öµå ·Ï  H. Continuous Backward Lock ÄÁƼ´º¾î½º ¹é¿öµå ·Ï  ¡áDISC TWO  ¡Ú Cha Cha Cha Advanced Figures  1. Backward Swivel Basic to end in Fan Position ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ Åõ ¿£µå ÀÎ ÆÒ Æ÷Áö¼Ç  2. Backward Swivle Basic with Hip Twist Actions to Tandem Sit Line ¹é¿öµå ½ºÀ§ºí º£ÀÌÁ÷ À§µå Èü Æ®À§½ºÆ® ¾×¼Ç Åõ ÅÄ´ý ½Ë ¶óÀÎ  3. Runaway Zigzag to Fan Position ·±¾î¿þÀÌ Áö±×Àç±× Åõ ÆÒ Æ÷Áö¼Ç  4. 'Box' Zigzags ¡®¹Ú½º¡¯ Áö±×Àç±×  5. Running Lock with Lady's Running Zigzag to Check Lady's Three Step Turn ·¯´× ·Ï À§µå ·¹À̵𠷯´× Áö±×Àç±× Åõ üũ ·¹À̵𠾲¸® ½ºÅÜ ÅÏ  6. Checked Alemana to Tandem Sit Line üũ ¾Ë·¹¸¶³ª Åõ ÅÄ´ý ½Ë ¶óÀÎ  7. Check from Open CPP (New York) with Change of Shape (1) üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå üÀÎÁö ¿Àºê ½¦ÀÌÇÁ (1)  8. Check from Open CPP (New York) with Change of Shape (2) üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå üÀÎÁö ¿Àºê ½¦ÀÌÇÁ (2)  9. Hip Throw Turns Èü ¾²·Î¿ì ÅÏ  10. 'Doubled' Cuban Break Action in Open CPP (1) ¡®´õºí¡¯ Å¥¹Ý ºê·¹ÀÌÅ© ¾×¼Ç ÀÎ ¿ÀÇ CPP (1)  11. 'Doubled' Cuban Break Action in Open CPP (2) ¡®´õºí¡¯ Å¥¹Ý ºê·¹ÀÌÅ© ¾×¼Ç ÀÎ ¿ÀÇ CPP (2)  12. Linear Turns to Quick Open Hip Twist ¸®´Ï¾î ÅÏ Åõ Äü ¿ÀÇ Èü Æ®À§½ºÆ®  13. Telespin to Lady's Spiral Turn to Left to Fan Position ÅÚ·¹½ºÇÉ Åõ ·¹À̵𠽺ÆÄÀÌ·² ÅÏ Åõ ·¹ÇÁÆ® Åõ ÆÒ Æ÷Áö¼Ç  14. Syncopated Telespin to Lady's Hesitation - Foot Tap to Fan Position ½ÌÄÚÆäÀÌÆ® ÅÚ·¹½ºÇÉ Åõ ·¹À̵ð ÇìÁöÅ×ÀÌ¼Ç - Dz ÅÇ Åõ ÆÒ Æ÷Áö¼Ç  15.Check from Open CPP(New York) with Man's Lunge Line and Lady's Three Step Turn üũ ÇÁ·³ ¿ÀÇ CPP (´º¿å) À§µå ¸Ç ·±Áö ¶óÀÎ ¾Ø ·¹À̵𠾲¸® ½ºÅÜ ÅÏ  16. Check in Open CPP - Three Step Turn - Mark Time - Check from Open CPP üũ ÀÎ ¿ÀÇ CPP - ¾²¸® ½ºÅÜ ÅÏ - ¸¶Å© ŸÀÓ - üũ ÇÁ·³ ¿ÀÇ CPP  17. Cuban Break in Solo RSP - Three Step Turn - Hesitation Ball Change to Tandem & Open Position Å¥¹Ý ºê·¹ÀÌÅ© ÀÎ ¼Ö·Î RSP - ¾²¸® ½ºÅÜ ÅÏ - ÇìÁöÅ×ÀÌ¼Ç º¼ üÀÎÁö Åõ ÅÄ´ý & ¿ÀÇ Æ÷Áö¼Ç  18. Lady's Three Step Turn from Fan Position to Foot Taps - Ripple - Three Step Turn ·¹À̵𠾲¸® ½ºÅÜ ÅÏ ÇÁ·³ ÆÒ Æ÷Áö¼Ç Åõ Dz ÅÇ - ¸®Çà - ¾²¸® ½ºÅÜ ÅÏ  19. Solo RSP - Ronde Action - Three Step Turn - Progressive Step Taps - Flick to Open Position ¼Ö·Î RSP - ·Ðµ¥ ¾×¼Ç - ¾²¸® ½ºÅÜ ÅÏ - ÇÁ·Î±×·¹½Ãºê ½ºÅÜ ÅÇ - Çø¯ Åõ ¿ÀÇ Æ÷Áö¼Ç  20. Foot Change to RSP - Passing Zigzags to RSP Dz üÀÎÁö Åõ RSP - ÆÐ½Ì Áö±×Àç±× Åõ RSP  [ PASO DOBLE ]  - Index of Structure & Character and All Figures  ¡Ú Paso Doble Structure & Character  A. Posture for Man then Lady Æ÷½ºÃç Æ÷ ¸Ç / ·¹À̵ð  B. Forward Walks Æ÷¿öµå ¿÷  C. Circular Forward Walks ½áŧ¶ó Æ÷¿öµå ¿÷  D. Backward Walks ¹é¿öµå ¿÷  E. Appel to Promenade Position ¾ÆÆç Åõ ÇÁ·Ò³ªµå Æ÷Áö¼Ç  F. Slip Appel ½½¸³ ¾ÆÆç  G. Double Appel ´õºí ¾ÆÆç  H. Syncopated Appel ½ÌÄÚÆäÀÌÆ® ¾ÆÆç  I. Drop Appel µå·Ó ¾ÆÆç  J. Sur Place. Basic Movement. Chasses. ½á Ç÷¹À̽º. º£ÀÌÁ÷ ¹«ºê¸ÕÆ®. »þ¼¼  K. Huit(Botafogo) Movement ÈÞÀÕ(º¸Å¸Æ÷°í) ¹«ºê¸ÕÆ®  L. Spanish Line Developed to Advance Shaping ½ºÆÐ´Ï½¬ ¶óÀÎ µðº§·Ó Åõ ¾îµå¹ê½º ½¦ÀÌÇÎ  M. Forward Lunge Æ÷¿öµå ·±Áö  N. Caping Chasse ÄÉÀÌÇÎ »þ¼¼  O. Caping Lock ÄÉÀÌÇÎ ·Ï  ¡Ú Paso Doble Advanced Figures  1. Slip Appel - Reverse Swivel - Basic Movement - Check - Chasse Cape Action ½½¸³ ¾ÆÆç - ¸®¹ö½º ½ºÀ§ºí - º£ÀÌÁ÷ ¹«ºê¸ÕÆ® - üũ - »þ¼¼ ÄÉÀÌÇÁ ¾×¼Ç  2. Huit(Botafogo) Actions - Contra Walks & Volta Action - Double Appel - Zigzag - Forward Lunge ÈÞÀÌÆ®(º¸Å¸Æ÷°í) ¾×¼Ç - ÄÜÆ®¶ó ¿÷ & º¼Å¸ ¾×¼Ç - ´õºí ¾ÆÆç - Áö±×Àç±× - Æ÷¿öµå ·±Áö  3. Syncopated Points - Zigzag - Continuous Stalking Zigzags - Check ½ÌÄÚÆäÀÌÆ® Æ÷ÀÎÆ® - Áö±×Àç±× - ÄÁƼ´º¾î½º ½ºÅäÅ· Áö±×Àç±× - üũ  4. Syncopated Appel to Challenge Shape - Natural Spins ½ÌÄÚÆäÀÌÆ® ¾ÆÆç Åõ 縰Áö ½¦ÀÌÇÁ - ³»Ãò·² ½ºÇÉ  5. Appel to Solo Circular Walks - Syncopated Appel - Twists Action ¾ÆÆç Åõ ¼Ö·Î ½áŧ¶ó ¿÷ - ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - Æ®À§½ºÆ® ¾×¼Ç  6. Continuous Locks - Check - Contra Low Spanish Line ÄÁƼ´º¾î½º ·Ï - üũ - ÄÜÆ®¶ó ·Î¿ì ½ºÆÐ´Ï½¬ ¶óÀÎ  7. Open Telemark - Promenade and Counter Promenade Runs ¿ÀÇ ÅÚ·¹¸¶Å© - ÇÁ·Ò³ªµå ¾Ø Ä«¿îÅÍ ÇÁ·Ò³ªµå ·±  8. Quick Chasses - Pivot - Checked Reverse - Natural Spin Äü »þ¼¼ - ÇǺ¿ - üũ ¸®¹ö½º - ³»Ãò·² ½ºÇÉ  9. Natural Spin - Lady's Ronde to Pass behind Back - Chasse to Right ³»Ãò·² ½ºÇÉ - ·¹À̵ð ·Ðµ¥ Åõ ÆÐ½º ºñÇÏÀÎµå ¹é - »þ¼¼ Åõ ¶óÀÌÆ®  10. Syncopated Appel - Developpe - Outside Spin ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - µ¥ºí ¶óÆä - ¾Æ¿ô»çÀÌµå ½ºÇÉ  11. Chasse Cape Action in Solo LSP - Spanish Twist - Check to Banderillas Shape »þ¼¼ ÄÉÀÌÇÁ ¾×¼Ç ÀÎ ¼Ö·Î LSP - ½ºÆÐ´Ï½¬ Æ®À§½ºÆ® - üũ Åõ ¹ê´õ¸®¾Æ ½¦ÀÌÇÁ  12. Stalking Walks in Open PP - Twists Action to Low Spanish Lines - Circular Walks - Huit (Botafogos) Action ½ºÅäÅ· ¿÷ ÀÎ ¿ÀÇ ÇÁ·Ò³ªµå Æ÷Áö¼Ç - Æ®À§½ºÆ® ¾×¼Ç Åõ ·Î¿ì ½ºÆÐ´Ï½¬ ¶óÀÎ - ½áŧ¶ó ¿÷ - ÈÞÀÕ(º¸Å¸Æ÷°í) ¾×¼Ç  13. Grand Circle Action - Zigzag to Swivel - Run in PP - Check in PP - Fallaway to Slip Pivot ±×·£µå ½áŬ ¾×¼Ç - Áö±×Àç±× Åõ ½ºÀ§ºí - ·± ÀÎ PP - üũ ÀÎ PP - Æú¾î¿þÀÌ Åõ ½½¸³ ÇǺ¿  14. Appel to PP - Quick Lock in PP - Forward Lunge in PP to Contact Hold ¾ÆÆç ÀÎ PP - Äü ·Ï ÀÎ PP - Æ÷¿öµå ·±Áö ÀÎ PP Åõ ÄÁÅÃÆ® Ȧµå  15. Twists Action Opening to PP to end in Close RSP Æ®À§½ºÆ® ¾×¼Ç ¿ÀÇÁ´× Åõ PP Åõ ¿£µå ÀΠŬ·ÎÁî RSP  16. Tandem Spins - Fwd Locks & Spins - Huit(Botafogo) Actions - Volta Actions - Challenge Lines ÅÄ´ý ½ºÇÉ - Æ÷¿öµå ·Ï&½ºÇÉ - ÈÞÀÕ(º¸Å¸Æ÷°í) ¾×¼Ç - º¼Å¸ ¾×¼Ç - 縰Áö ¶óÀÎ  17. Continuous Spins in Slow and Quick Rhythm to Shadow Hold ÄÁƼ´º¾î½º ½ºÇÉ ÀÎ ½½·Î¿ì ¾Ø Äü ¸®µë Åõ ½¦µµ¿ì Ȧµå  18. Developed Flamenco Rhythm to Standing Spin µðº§·Ó ÇÃ¶ó¸æ°í ¸®µë Åõ ½ºÅĵù ½ºÇÉ  19. Syncopated Appel - Check to Telespin - Zigzag ½ÌÄÚÆäÀÌÆ® ¾ÆÆç - üũ Åõ ÅÚ·¹½ºÇÉ - Áö±×Àç±×  20. Syncopated Appel to Outside Turn - Lady's Developpe - Promenade Walks - Spiral Cross to Open PP ½ÌÄÚÆäÀÌÆ® ¾ÆÆç Åõ ¾Æ¿ô»çÀ̵å ÅÏ - ·¹À̵𠵥ºí¶óÆä - ÇÁ·Ò³ªµå ¿÷ - ½ºÆÄÀÌ·² Å©·Î½º Åõ ¿ÀÇ PP  [ JIVE ] - Index of Structure & Character and All Figures  ¡Ú Jive Structure & Character  A. Jive Chasses ÀÚÀÌºê »þ¼¼  B. 1-2 Link of Fallaway Lock 1-2 ¸µÅ© ¿Àºê Æú¾î¿þÀÌ ·Ï  C. Three Step Turns ¾²¸® ½ºÅÜ ÅÏ  D. Flick Ball Change Çø¯ º¼ üÀÎÁö  E. Kick Ball Change ű º¼ üÀÎÁö  F. Coaster Step ÄÚ½ºÅÍ ½ºÅÜ  G. Alternative Coaster Step ¾óÅÍ³ÊÆ¼ºê ÄÚ½ºÅÍ ½ºÅÜ  H. Chicken Walks ġŲ ¿÷  I. Alternative Chicken Walks ¾óÅÍ³ÊÆ¼ºê ġŲ ¿÷  J. Jitterbug Kicks ÁöÅ͹÷ ű  K. Shunt ¼ÇÆ®  L. Merengue Action ¸Þ·À°Ô ¾×¼Ç  M. Botafogos º¸Å¸Æ÷°í  N. Jive Runs ÀÚÀÌºê ·±  O. Jive Lock Steps ÀÚÀÌºê ·Ï ½ºÅÜ  ¡Ú Jive Advanced Figures  1. Turning Double Ball Change Rhythms - Three Step Turn ÅÍ´× ´õºí º¼ üÀÎÁö ¸®µë - ¾²¸® ½ºÅÜ ÅÏ  2. Turning Double Ball Change Rhythms with Two Step Turns - Three Step Turn ÅÍ´× ´õºí º¼ üÀÎÁö ¸®µë À§µå Åõ ½ºÅÜ ÅÏ - ¾²¸® ½ºÅÜ ÅÏ  3. Solo Flicks and Zigzags with Hop Actions - Shunt - Foot Change ¼Ö·Î Çø¯ & Áö±×Àç±× À§µå È© ¾×¼Ç - ¼ÇÆ® - Dz üÀÎÁö  4. Hand to Hand Checked Turns ÇÚµå Åõ ÇÚµå üũ ÅÏ  5. Rotary Hand to Hand Checked Turns ·ÎŸ¸® ÇÚµå Åõ ÇÚµå üũ ÅÏ  6. Rotary American Spin ·ÎŸ¸® ¾Æ¸Þ¸®Ä ½ºÇÉ  7. Overturned Lunge Throwaway ¿À¹öÅÏ ·±Áö ¾²·Î¿ì¾î¿þÀÌ  8. Sugar Push Variation ½´°¡ Ǫ½¬ ¹Ù·¹ÀÌ¼Ç  9. Travelling American Spin Action to Foot Change - Flicks in RSP - Botafogo to Foot Change Æ®·¡ºí¸µ ¾Æ¸Þ¸®Ä ½ºÇÉ ¾×¼Ç Åõ Dz üÀÎÁö - Çø¯ ÀÎ RSP - º¸Å¸Æ÷°í Åõ Dz üÀÎÁö  10. Travelling Flick Ball Changes in PP - Turning Chasses - Natural Spin - Throwaway Chasse Æ®·¡ºí¸µ Çø¯ º¼ üÀÎÁö ÀÎ PP - ÅÍ´× »þ¼¼ - ³»Ãò·² ½ºÇÉ - ¾²·Î¿ì¾î¿þÀÌ »þ¼¼  11. Flicks in Open Position with Double and Single Rhythm - Close, Tap, Kick - Botafogo Çø¯ ÀÎ ¿ÀÇ Æ÷Áö¼Ç À§µå ´õºí & ½Ì±Û ¸®µë - Ŭ·ÎÁî, ÅÇ, ű - º¸Å¸Æ÷°í  12. Chicken Walks with Man's Crossover Walks - Reverse Throwaway Action ġŲ ¿÷ À§µå ¸Ç Å©·Î½º¿À¹ö ¿÷ - ¸®¹ö½º ¾²·Î¿ì¾î¿þÀÌ ¾×¼Ç  13. Double Hold Arm Turns for Lady and Man - Catapult Ending ´õºí Ȧµå ¾Ï ÅÏ Æ÷ ·¹À̵ð & ¸Ç - īŸÆÞÆ® ¿£µù  14. Step, Taps - Leg Curl - Kick - Backward Botafogos - Foot Change to Open Position ½ºÅÜ, ÅÇ - ·¹±× Äà - ű - ¹é¿öµå º¸Å¸Æ÷°í - Dz üÀÎÁö Åõ ¿ÀÇ Æ÷Áö¼Ç  15. Tollgate Åç°ÔÀÌÆ®  16. Single Beat Shoulder Spin ½Ì±Û ºñÆ® ¼ñ´õ ½ºÇÉ  17. Chugging, Turning to Right ó±ë, ÅÍ´× Åõ ¶óÀÌÆ®  18. Type of Rolling off Arm - Lady's Turn to Left - Man's Foot Change to Solo LSP ŸÀÔ ¿Àºê ·Ñ¸µ ¿ÀÇÁ ¾Ï - ·¹À̵ð ÅÏ Åõ ·¹ÇÁÆ® - ¸Ç Dz üÀÎÁö Åõ ¼Ö·Î LSP  19. RSP Solo Chicken Walks - Tap Kicks - Botafogo - Spot Turn - Foot Change to Walks RSP ¼Ö·Î ġŲ ¿÷ - ÅÇ Å± - º¸Å¸Æ÷°í - ½ºÆÌ ÅÏ - Dz üÀÎÁö Åõ ¿÷  20. Miami Special Entry - Circular Flick Ball Changes - Lady's Three Step Turn to Right ¸¶ÀÌ¾Ö¹Ì ½ºÆä¼È ¿£Æ®¸® - ½áŧ¶ó Çø¯ º¼ üÀÎÁö - ·¹À̵𠾲¸® ½ºÅÜ ÅÏ Åõ ¶óÀÌÆ®